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Apple Universe

Top-level category for all Apple, Mac, and OS X related topics.

Feeling the (Mail) squeeze in Mojave

My new iMac runs Mojave; my old iMac never moved off High Sierra, which I felt was a fine version of macOS. Now that I have no choice but to use Mojave full time (I have it on my laptop for work purposes), I’m finding some annoying changes. Amongst those annoyances, this one is—by far—the most annoying…

That’s a set of messages in Mail, as viewed in Classic View mode (using San Francisco Display at 15pt on both Macs).

Somewhere in Apple, someone thought it’d be a great idea to reduce the line spacing in Mail—only when using Classic View, which is my forever-preferred view. Maybe they’re doing this to force us to upgrade to the modern view?

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Force multiple tracks to play as one in iTunes

There are some musical tracks that—even though they’re distinct on the CD (or sold as separate tracks online)—are meant to be played together. As examples, there are a number of such Pink Floyd tracks, Queen’s We Will Rock You and We are the Champions, and Jackson Browne’s The Load Out and Stay.

I thought I remembered that iTunes used to be able to merge such tracks, and said as much on Twitter:

From the responses, I learned that my memory was wrong: You could only merge tracks during a CD import, which you can still do today:

But for online purchases or other non-CD music, the only solution appeared to be exporting the tracks, merging them together, then reimporting as one. (Doug Adams’ $5 Join Together, for example, makes the process about as simple as possible.)

I only had a few such tracks I wanted to combine, so duplicating song data and using an external tool seemed like overkill, but it seemed like the only way. Then Chris Jennings came up with a solution that works for me (with some caveats…).

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2019 iMac vs Late 2014 iMac—Part Two

Update: After I posted this, Brad Oliver contacted me on Twitter about the frame rates for DiRT Rally—he commented that the fact that they were clustered around 60fps made him think I’d left vertical sync (Vsync) on…and he was right. I’ve updated that section with the modified results, as well as one additional comparison I forgot to include the first time.

Oh, and in case you don’t know Brad…he was directly involved in porting DiRT Rally to the Mac for Feral, so he knows his stuff! Thanks Brad!

In part one of the comparison between my old and new iMacs, I provided a brief overview of the new machine, tech specs for both, and a number of benchmarks. (I also tested the video card against a Windows GeForce GTX 1080, and posted a slide-over image that demonstrates the wider color gamut on the new Mac.)

In today’s second (and final) part, I’ll take a look at video processing performance (via iMovie), how well the new iMac handles gaming, and then wrap up the whole series.

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Comparing colors on the 2014 and 2019 iMacs

I knew my new iMac had the wide color gamut (P3) display, but until I used it side-by-side with my old iMac, I didn’t realize just how different things would look. In my comparison test of the two iMacs, there are a couple of photos of onscreen images—one set with the default iMac color profile, the next with the Adobe RGB (1998) color profile—the differences are quite obvious, especially on the default profiles.

Here’s one last image, with a comparison slider, so you can more easily see how the colors change. (Thanks to Kirk McElhearn for the source photo.)

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Two year old crushes the new (video card) kid on the block…

My 2019 iMac has the new AMD Pro Vega 48 video card, the fastest video card Apple has offered in a (non-Pro) iMac. But just how fast is it? I’ll have more to say about it in an upcoming “games shootout” with my 2014 iMac, but I was also curious as to how (badly) it might compare to the video card—an NVIDIA GeForce GTX 1080—in my 2017 Frankenmac.

While I’d love to be able to compare the performance under macOS on Frankenmac, that’s not possible as I uninstalled it a while back—I’d been unable to update to Mojave due to a lack of NVIDIA drivers for Mojave. (Which is related to all of this, in that you cannot use an NVIDIA card—with acceleration—in Mojave, even in an external GPU box, because it seems Apple and NVIDIA aren’t on speaking terms right now.)

However, because a number of the benchmark apps I used in my 2019 iMac vs 2014 iMac—Part One comparison test also run on Windows, I was able to do some head-to-head testing, even if the difference in the OS adds a layer of unknown to the results.

Going in, I was pretty sure I knew what the results would show: The Windows PC was going to crush the iMac in anything graphically related, but lose in the CPU tests. While the AMD card is a big step up from previous-generation iMacs, it’s nowhere near bleeding edge—it’s more like “minor scrape” edge—in the Windows world.

Anyway, I ran a bunch of tests, and the results were pretty much as I expected…

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2019 iMac vs Late 2014 iMac—Part One

When I replaced two aging laptops with a new MacBook Air, I posted a detailed analysis on the performance differences between the three machines. When Apple released the new iMac with a ninth-generation Intel processor and a higher-end AMD video card, I felt the time had come to replace my similary-aged 2014 iMac…and with that replacement, the opportunity to do the same sort of “old vs. new” comparison for others who may be at or over the five year mark with their desktop Macs.

As with the prior comparison, this is not a review of the 2019 iMac—I’ll leave that detailed work to others who do it much better than I. I’m mainly interested in comparing this machine’s performance to my current iMac—and for the Geekbench 4 tests, with the 10-core iMac Pro.

Note: If you read the first write-up, some of the following explanatory language will seem quite familiar (as in identical)—where it made sense, I simply pasted the same test explanations I used in the prior article.

Overview

Externally (at least from the front) I can’t tell the two iMacs apart—if there have been any user-facing changes in the last five years, they’re not visible to my eye. From the back, of course, things are a bit different, as Thunderbolt 2 has made way for USB-C/Thunderbolt 3. For me, this means I need a couple of adapters—my RAID is Thunderbolt 2, and I connect a second HDMI display via the other Thunderbolt port. I haven’t yet installed/tested these, though I’m hopeful they’ll work.

After logging into both machines, though, it’s apparent that something’s different with the new iMac’s screen. For example, here’s a screen from the GpuTest app. (I had to grab the frame from an animating scene, which is why they’re not identical shapes.)

As screenshots probably wouldn’t reveal these differences, I used the iPhone to take photos, then fixed any skewing and cropped them (but didn’t adjust color, brightness, etc.) in Acorn.

Both iMacs were set to the default color profile (iMac), and had identical brightness settings.

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Updated: Find Keyboard Maestro macros by shortcut

Note: Revised on December 4, 2018 with a much better implementation of the pop-up palette, and some changes in timing and mouse movement.

One of the “problems” with Keyboard Maestro is that it’s so useful I use it a lot, leading to a large collection of macros. Due to the number of macros, sometimes when I want to add a new shortcut, I can’t remember if I’ve used that shortcut before or not. Today’s tip comes in two flavors to address that problem: Simple and Complex.

The Simple solution

Short of just trying the shortcut, there’s a way to check from within Keyboard Maestro itself: Type the macro’s activation keys into the search box, as seen in the box at right.

You can’t do this by pressing the actual shortcut keys—you have to type their character representations. You can do this with the “Show Emoji & Symbols” option under the flag icon in the menu bar, if you’ve enabled it in the Keyboard System Preferences panel. But finding those few special keys (if you even know how to search for them) is a pain.

Technically, you could also use the pop-up character palette macro I wrote, except there’s an issue: When the palette activates, it deactivates the search box, so the characters don’t make it there. It’s also overkill for this task, because there are characters that wouldn’t be part of keyboard shortcuts, and you’d never need the HTML codes, just the characters.

So I wrote what wound up being a set of new macros that make searching for assigned keyboard shortcuts much easier.

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2018 MacBook Air versus some of its aged predecessors

I recently purchased a new 2018 13″ MacBook Air—my first new Mac laptop in over five years. My hope is that this machine can replace two aging laptops: A 2013 13″ Retina MacBook Pro (I use this when I want more “power” or screen resolution) and a 2012 11″ MacBook Air (I use this when I want portability).

Reviews of this machine are all over the net, so I’m not even going to attempt a full review. If you want an in-depth review of the machine, go read Six Colors’ review, or The Verge’s review or Wired’s review…or just start with Macrumors’ round-up of reviews and go from there.

Instead of a full review, I’ll provide some brief thoughts on the machine, then move on to my main focus: The performance changes in Apple’s smallest laptops from 2012 to today, based on comparisons between my three machines. I was interested in how this would turn out, as the two older Macs are both Core i7 CPUs, versus the Core i5 in the new Air. There’s lots out there to read about how the 2018 Air compares to other current machines, or semi-new machines…but I thought it might be interesting to see how performance has changed in five-plus years.

But first, my thoughts on the new Air…

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A quick-toggle solution for macOS’ translucency feature

Note: This was originally published in 2015; I’ve updated it with a minor change required for Mojave, and clarified a bit of the text.

macOS includes—and enables by default—translucency, which gives you ‘wonderful’ effects such as this in Calculator:

This is just one example; lots of other apps (Mail and Messages, to name two) contain panes that become grossly distorted by background color bleed-through. I’m not sure who at Apple (Marketing?) thinks this feature is good for productivity , but I find it completely distracting.

As a result, I turn off translucency on every Mac I own. You can do so yourself in System Preferences > Universal Access > Display. Just check the Reduce transparency* box, and you won’t get any more bleed-through. (You’ll also get a solid Dock, and perhaps the world’s ugliest Command-Tab task switcher. Such is the cost of usability.)

* It’s ridiculous that Apple calls this transparency, which is defined as “the condition of being transparent,” and being transparent means being see-through, clear, invisible, etc. This is clearly translucency, or “allowing light, but not detailed images, to pass through.” But I digress…

However, when writing for Many Tricks or Macworld, I often need to take screenshots. And because most users won’t disable translucency, I prefer to take those screenshots with translucency enabled, so that they’re closer to what most users might see. That means a trip through System Preferences to toggle the checkbox, which gets annoying after the second or third time you’ve done it.

There had to be an easier way—and after some missteps, I eventually found it.

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My iPhone 8 Plus might be my last iPhone

I know, clickbait headline, but really, it’s how I’ve felt since the release of the iPhone X, and still feel today. And no, this isn’t about switching to Android. It’s about not buying a newly-designed iPhone. Why not? Two reasons…

The Notch

The notch adds nothing to the iOS experience, but takes away much. Those stupid ears grab my eyes every time I see them, and there’s no way to avoid them, save never using anything but an all-black screen. When not in an app, they show status items on a black background, which is fine…as long as your iPhone’s wallpaper is also black.

But once you’re in an app, you’re in Notchville…

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