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TV and Movies

Posts related to television and/or movies.

The Queue helps track TV shows and movies to watch

As with Dramatis, The Queue is a Claude-developed web app. Its purpose is to help me track the TV shows and movies that I want to watch, am watching, or have watched. So as with Dramatis, the same disclaimer applies: While I managed the project, all of the code involved was written by Claude. There's no use of passwords, nor does it store or collect personal data (other than free API keys, which are store locally in your keychain). But still, use at your own risk.

Unlike Dramatis, though The Queue is completely free to use—no Anthropic API key is required. It uses the free TVmaze API to retrieve information about TV shows, and two free API keys (which you have to create) from TMDB and OMDB for movie information.

Here's how it looks on my Mac:

And here's a download link:

Download The Queue web app (591KB)

It works like Dramatis does, by running a mini web server on your local Mac.

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Dramatis tracks characters in books, series, and movies

As shown in my post about Claude Code, Dramatis (from "dramatis personae," the list of characters in a story) is a tool Claude created to help me keep track of the relationships between major characters in books, TV series, and movies. Here's a look at the main screen, for season one of The West Wing:

When you retrieve data for a title, it's automatically grouped into buckets that make sense for the show's plot—by function in The West Wing, Friends gets "Main Six," "Romantic Interests," and "Supporting Cast," etc. Click on a bucket and you'll see just the characters within that bucket.

Each character can have a separate, lower level of organization—Jed Bartlett is in the Executive Branch bucket, but his info card also shows Oval Office. Click on any character for full details on their role, as well as links to other characters who interact with the selected character.

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Watch two of the Star Wars Trilogy movies in 4K

Hot on the heels of my weekend post about Harmy's Despecialized Editions of the original Star Wars Trilogy movies, Six Colors maven and all-around good guy (and my ex-boss) Jason Snell pointed me to something I'd previously only seen briefly referenced in a few spots: Project 4K77.

Project 4K77 is, as you might guess from the name, a 4K version of the 1977 Star Wars movie. The group has also completed Project 4K83 (Return of the Jedi), and is now working on Project 4K80 (The Empire Strikes Back).

What's really amazing about the 4K77 project is that it is not an upscale of lower-resolution footage. Instead, as explained on the 4K77 page…

…97% of project 4K77 is from a single, original 1977 35mm Technicolor release print, scanned at full 4K, cleaned at 4K, and rendered at 4K.

Because this is a scan of the original film, it's grainier than the Harmy releases—and there may be some actual film effects like scratches visible at times (I haven't yet watched the full movie, so I'm not sure).

But it is a full 4K, and it's a very different experience than is Harmy's version. As an example, here's the same still as I used in my prior post, but this one was taken from 4K77 (again, click to see the larger version):

Without looking back at the other blog post, it may not be obvious just how different these two versions are…but this composite photo makes it obvious:

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Watch the Star Wars Trilogy movies in their original form

As a child of the 1970s, the original Star Wars trilogy1Star Wars, The Empire Strikes Back, and Return of the Jedi was—and remains—one of my favorite movie series of all time.

Unfortunately, George Lucas has made it virtually impossible to watch the original unedited versions of the films.2Unedited versions exist on LaserDisc and DVD, but they are low quality transfers. From 1997 onwards, only modified versions have been available—with newly-added CGI effects, deleted scenes that add nothing to the story, changes to sound effects, and even replacement of characters, such as some of those in the cantina in the original Star Wars. He called these releases Special Editions…but to fans of the originals, they weren't so special.

Enter one Petr Harmy and an army of volunteers. Using multiple sources, Harmy and the others pieced together all three original films, doing away with the edits, correcting colors, upscaling imagery, and replacing sound effects. This 20-minute video explains the process, and contains a number of before-and-after comparison shots.

The end result is something called Harmy’s Star Wars Trilogy Despecialized3Because these versions remove the Special Editions' changes—get it? Editions: Amazingly high quality versions of the theatrical releases of all three original movies. As a very brief example, here's one still (click for a much larger version) from Star Wars:

The movies are not at Blu-Ray (1920x1080) resolution, but they're very well done 720p (1280x720) versions which look amazingly nice even when scaled to fill the screen of my 27" iMac. And most importantly, all the cruft added on through the years is gone. No bogus CGI. No replaced characters. No weird sound effects. Oh, and (spoiler alert!) Han shoots first.

So how can you get these Despecialized versions for yourself? That's a bit tricky…

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Travel from the Earth to the Moon in high def

Way back in the late 1990s, HBO aired an amazing miniseries called From the Earth to the Moon. Produced by Tom Hanks, the 12-episode series covers most of the key events in the Apollo program, including the Apollo 1 fire, the first moon landing, the Apollo 13 crisis, and much more. In total, 30 of the 32 astronauts in the Apollo program are represented onscreen during the series.

Each episode runs about 50 minutes; Wikipedia's entry on the miniseries includes a nice summary of each episode that doesn't give too much away.

I've watched it at least a half-dozen times, and up until this summer, every viewing was at DVD resolution—eventually upscaled on higher-resolution TV sets, but still not the greatest video experience.

This summer, however, HBO re-released the series after remastering it in HD. They also reworked many of the special effects to take advantage of advances in that field over the last 20 years. If—like me—you're a physical media person, you can pick it up for only $23 from Amazon…or if you're fully digital, you can get it from the iTunes Store for $30. (Yes, a physical copy with media and packaging and shipping1and it includes a digital copy! is $7 less than a series of 0s and 1s written to a file. What a wacky world we live in.)

The visual changes are dramatic, as you can see in these shots from the two versions.

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Solving a wavy issue with a Sony 4K Blu-ray player

We've had our 4K Vizio M70-C3 TV for about 2.5 years, but we just added a Sony UBP-X800 4K Ultra HD Blu-ray player last October. We have a few 4K movies, plus what we watch on the Apple TV and Amazon Prime Video. Stuff mostly looks great, but when watching The Martian the other day, I noticed this odd "wave" effect in the background, whenever the camera panned across a scene. I wrote it off as a one-time thing, until yesterday.

I was trying to watch the extras (which are in 1080p) on the new Black Panther 4K disc, and I noticed the exact same problem. This time I filmed a bit of it with my phone:

Needless to say, this makes it really hard to watch anything—it's not only distracting, I actually start feeling queasy after a while. After testing a bunch of settings in both the TV and the Sony player, I found the cause: The Sony player's 4K upscaling. With it disabled, everything looks normal. Turn it on, and any 1080p content gets wavy when panning. Problem solved!

But what about The Martian, which was 4K to begin with, but still had the waves? That was, ummmm, most likely user error: I must have loaded the non-4K disc in the player, as when I tested it yesterday with the 4K disc, everything was fine. Oops!

I have no idea if I have a defective player, or if it's a limitation on the upscaling, or if it's just a strange issue between the Sony player and the Vizio TV. Regardless, if you happen to have a similar setup and are seeing annoying waves when the camera pans, try disabling the 4K upscaling feature.



A neat detail in Star Wars: The Last Jedi [Coded Spoiler]

We saw Star Wars: The Last Jedi for a second time a while back, mainly because a large group of friends was going and we had most of the theater to ourselves, so it was sort of like a private screening. During my re-watching, I spotted a number of things that I'd missed the first time, but one in particular stood out…

Note: The remainder of this post is hidden behind a spoiler-hiding plug-in, as the subject being discussed is a major—really major—plot spoiler. This should keep it disguised both here on the site, and in the RSS feed. However, commenters may not disguise their comments, which means you may not want to scroll down at all if you haven't seen the movie yet.

If you don't want a major plot element revealed, don't expand the hidden spoiler!

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Movies Anywhere (mostly) opens the closed iTunes ecosystem

With the recent unveiling of Movies Anywhere, Apple has—willingly or not, I do not know—opened up the world of iTunes to movies from other places. Stated another way, you can now have movies in the Tunes ecosystem that weren't purchased there, or that weren't digital versions acquired by using an iTunes redemption code with a physical disc purchase.

To put it bluntly, this is huge; I've long wanted a way to get all of my movies into iTunes (and iOS) so that they could sync to devices, easily stream (without the computer on) to the TV, etc. The service goes well beyond iTunes/iOS, of course—the full list of supported players is quite extensive.

Important: As of now, Movies Anywhere is a US-only service. If you're not in the US, hopefully something similar will be coming to your country at some point in the future.

What's really amazing, though, is that you can not only combine purchases from multiple sources into iTunes, but convert and/or upgrade them in the process. Thanks to Movies Anywhere, I've been able to do two seemingly amazing things…

  1. Put an UltraViolet-only (i.e. no iTunes version) digital redemption movie into the iTunes ecosystem.
  2. Paid a modest fee—not to Apple—and converted an old physical DVD into a high-def —digital version.

Note: The original version of this post stated that you could convert a DVD into a 4K iTunes video. That is not the case, based on this article and my own testing. Thanks to @netnothing for the pointer.

How does this magic work? Honestly, I don't really know.

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A deep dive into HandBrake and Video Transcoding

An obvious interest area of mine is in ripping (and watching) movies using my Mac. I've talked about everything from installing the tools I use to how I rip to how to make sure I update the ripping tools. And though I've included some comparison pictures in the how-I-rip article, I've never done a deep dive into the various ripping options and how they compare on three key fronts:

  • Speed: Faster is better; measured in minutes required to rip.
  • Size: Smaller is better; measured in MB of drive space used.
  • Quality: Higher is better; the closer the image quality is to the original, the better.

An ideal rip would be one that happens in seconds, saves into a 10KB file, and has quality matching the original. The reality, though, is far from the ideal. Ripping a movie involves making trade-offs between those three competing measures: Maximizing any one measure requires some sort of tradeoff with one or both of the other measures.

After ripping so many DVDs and Blu-rays over the years, I was curious about how HandBrake and Don Melton's Video Transcoding tools handle those tradeoffs, so I decided to do some testing.

If you'd like to see what I discovered about ripping time, file sizes, and—with lots and lots of frame grabs—image quality, keep reading…

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Book: “As You Wish: Inconceivable Tales…” by Cary Elwes

Like 95% of the audience and 97% of the critics, I'm a big fan of The Princess Bride. The movie turns 30 this year (special anniversary super-duper Blu-ray extended mega cut, please?), and it stands up well to the test of time. If you haven't seen it yet, well, see it. It's not only full of quotable quotes ("Inconceivable!"), the story is enjoyable, the acting campy and perfect, and certain characters are just incredibly memorable. Well worth the time.

But this post isn't about the movie. It's about a book about the making of the movie, written by Cary Elwes, who starred as Westley, aka The Man in Black. And in the interest of thoroughness, the book's full title isn't As You Wish, it's As You Wish: Inconceivable Tales from the Making of The Princess Bride.

The book is well written (with some credit to Joe Layden, noted as the "with" on the cover), and details Carey's experiences with the film starting with the original casting call (actually a note under his hotel room door) up through the release and some detail on the inept marketing behind the movie. It's a great read, and very interesting on its own.

But what really made the book for me were all the quotes that Cary secured from others involved in the production. These are present throughout the book, and you seldom need read more than a page before encountering one.

They aren't shown inline, which would interrupt the story flow. Instead, they're presented as asides, like this one:

Each appears near relevant content, so they're applicable to what you're reading. But by separating them, you can read them when you like. These snippets have some real gems, such as the one above, which explains how The Princess Bride book came to be. Since finishing the book, I've gone back through it, just to read all these asides again; they really are wonderful.

If you're a fan of The Princess Bride, Cary's book is well worth your time.